The Woman Caught in Adultery

Brueghel's grisaille of Christ and the adulteress: Jesus stoops to write on the ground while the woman stands with bowed head and her accusers begin to turn away.
Christ and the Woman Taken in Adultery, Pieter Brueghel the Younger, 1600, after his father's grisaille. Public domain, via Wikimedia Commons.

She was never the point, to her accusers. Caught “in the act” (the partner conspicuously absent), she was hauled into the temple courts as ammunition: if Jesus said “stone her,” Rome’s monopoly on execution and his own reputation for mercy both shattered; if he said “release her,” he contradicted Moses. “This they said to test him” (John 8:2-6).

Jesus bent down and wrote with his finger on the ground – the Bible never says what, though readers have wondered for two thousand years – and then straightened with the sentence that turned the court inside out: “Let him who is without sin among you be the first to throw a stone at her.” He stooped and wrote again, and the thud of dropped stones is almost audible in the text: “they went away one by one, beginning with the older ones” (John 8:7-9).

What remained was, in Augustine’s famous phrase, misera et misericordia – the wretched woman and Mercy himself. “Woman, where are they? Has no one condemned you?” “No one, Lord.” “Neither do I condemn you; go, and from now on sin no more” (John 8:10-11). The order of those last two clauses is the gospel in miniature: acceptance first, transformation commanded on the strength of it – neither condemnation without hope nor tolerance without holiness.

In the New Testament

Key Locations

  • The Temple in Jerusalem The center of Israel's worship, rebuilt on a massive scale by Herod the Great.
  • Jerusalem The holy city -- David's capital, the temple's home, the stage of the crucifixion, resurrection, and Pentecost.