The Widow of Nain

Altomonte's painting of the raising at Nain: the young man sits up from his bier toward Jesus while his astonished mother and the crowd press around.
Raising of the Son of the Widow of Nain, Martino Altomonte, 1731. Public domain, via Wikimedia Commons.

She never asks for anything. That is what sets the widow of Nain apart in the Gospels’ gallery of miracles: no plea, no demonstration of faith, no friends digging through a roof. Just a funeral procession coming out of a small town’s gate – a young man, “the only son of his mother, and she was a widow” (Luke 7:12), which in that economy meant her grief was also her ruin: no husband, now no son, no one to provide or protect.

Two processions met at the gate: death’s, coming out, and life’s, coming in. “When the Lord saw her, he had compassion on her and said to her, ‘Do not weep.’” Then he touched the open bier – accepting ritual defilement to reach the dead – and spoke to the corpse as if to a sleeping boy: “Young man, I say to you, arise.” Luke finishes the miracle with its tenderest clause: “and Jesus gave him to his mother” (Luke 7:13-15). The crowd’s cry – “A great prophet has arisen among us!” – remembered Elijah and Elisha, who had raised widows’ sons in this same countryside; the reader is meant to see more than a prophet.

In the New Testament

Key Locations

  • Nain The small Galilean town where Jesus raised a widow's only son at the town gate.